Room after room of geometric shapes telling of the perception of the natural world reflect the themes of the research carried out by Roberto Floreani (Venice, 1956). Concentric and square circular signs fill the surface, piecing together a dialogue between the formal decoration and the spiritual nature, with both canvases and ceramics, which have always characterised the artist’s work. The exhibition itinerary is accompanied by a room featuring the dynamic breakdown of shapes of Futurist inspiration: the historic avant-garde to which the artist has dedicated some 20 years of his career.